I did a movie with Suchitra Sen but my part was cut off

Just 60 years prior, Biswajit acted in the main Bengali film. In 1958, in the film 'Dak Harka', in the job of a little job, one progressive was depicted. The film was discharged in the 59th. In 60 years of acting in Bengali film, in a show at the World Bangla Convention Center in New Town, Calcutta, he sang the melody with the child Pranjeet. Shatrughan Sinha came in It was said in the advancement of this occasion in the film of Hindi, 50 years of his life, this occasion will be composed. The 82-year-old performer is still new, loaded proudly. The subject of this occasion began with our own discussion.

• The occasion that encompasses you, on the event of 60 years of its acting in your Bengali film, or is it around 50 years of acting in Hindi film?

•• Actually, I began my acting profession in Hindi film Hemantkar (Hemant Mukherjee) with 'twenty years left'. That is around 1962. 56 years have passed. Thus, the tale of my Golden Jubilee written in Hindi film isn't right. Or maybe, I have finished 60 years of my acting in Bengali film. In 'Dok Harkaka', I completed a smidgen of a progressive character. For all intents and purposes I'm In The Junior Artist The courageous woman was Kali Banerjee and Sabitri Chatterjee. Bumba said on the event of the function, this is a hundred years of bala film. Beneficial thing. Sixty years of my Bengali film in the Bengali film's 100 years.

• You and Prasenjeet sang together at this occasion, move

•• (Laughing) Dance Styles R-What we sing together is my tune 'Maray Sanam'. Rafi sang sahib. 'Pukar ita hala hua maay' Bumba stated, I sing this melody all over the place. He had practice. Accordingly, we both sang together.

• recall forget when singing together at the stage, your little discussion about 'Little Bumba' was about that? It was Prasenjit's first motion picture.

•• (No snickering) No, I didn't recall the little inquiry. At that point Bumba was five years of age. Not the performer, not legends. I was in the phase with the Hero Prosenjit. At the point when the two saints sang together on the stage, that was the center point that was our own.

• Did you need to go out to act in the motion picture?

•• did not leave, I was driven out. I used to remain in my uncle's home at Calcutta. In the wake of shooting in 'Dok Harkara' I was influencing home make-to up. My more established uncle's little girl saw me. I didn't state to anybody. Be that as it may, he defeated. Tell everybody. All the maternal grandmas had a relative against me for the demonstration of being extradited. Notwithstanding, my enormous uncle adored acting. I used to cherish me excessively. Be that as it may, Baramma's protest has not given any work.

• Have not your folks protested?

•• Baba was a specialist of Army. At that point there was Cochbihar. They misjudged their dad. What's more, my mom passed on when I was 13 years of age.

• Where is the pattern of acting?

•• From my mother. My mom Smriti Chatterjee was quite excellent I have not seen any heroin yet. Mother had a club in Koch Bihar, - 'Studies Club'. There mother used to do 'Chitangaada', 'Shyama', 'Chandalika'. I used to run with my mom, see practices, watch the stage, see the acting. At that point the fantasy was made. Afterward, when I went to my uncle's home in Kolkata, I saw my oldest child Hrishikesh Bandyopadhyay as a performance center insane individuals. Beginner theater was at one time a year, twice Rehearsal sitting in the living room. At that point I made the principal show of life. 'Crown' Barmama, the genuine demonstration of making alcohol, however when the purported 'Moderates' drive me from the uncle's home, for acting in the motion picture, that man just looked powerlessly and couldn't do anything. In any case, his approval was with me, I know it.

• You have played frequently on the stage.

•• Yes, I did. Long days However, on the radio I began playing with the tryout. Birenda (Birendra Krsna Bhadra) was my master. At that point there are all Bagha individuals there. Bani Kumar, Pankaj Mallick, and Mrityanjya Bandyopadhyay. In my first radio dramatization, my heroin was Tripti Mitra. From this radio play I was reached in 'Dok Harkara'.

• Then what is the primary legend in the film 'Maaagirag'?

•• In the in the mean time, in the other sense, the legend has turned into the hero. Not a nibble, obviously. Kang did Kamal Mitra I blacked. I adored two makers Bimal Ghosh and Sunil Basu Mallik. They run MKG generation together. Bimalda used to be in Karbala Tank Lane. Called me one day and stated, you must be dark. I don't consent to the idea of Tagore-god. I stated, Bimala, I won't dark, I'll do the stragal. At that point Bimala stated, 'Tune in, you are Krishna in this film. At that point we will make a film about 'Maagam'. There you'll be a saint. I hear it!

• Why, did not you have a saint material?

•• Hey, no, no. I needed to be the saint. Be that as it may, at that point the dramatization is going on in Rangamahal. Nabagopal Lahiri, the hero of the play Nirmalendu Lahiri. There are enormous performing artists like Saruubala, Robin Majumder, Jhaar Rai. Also, in that show I play an additional character, which has just a single exchange. I'm the legend of the mahamriga?

• Do you recall the playlist exchange?

• It is a noteworthy occasion. (Giggling) How would I overlook? One is simply Dialog. The exchange was - 'that is, I used to eat air overall ground'.

• So, did Krishna give you the legend of the miami?

•• it could be said so - E Sunilada talked. I am the legend of Myanigram. In any case, 'kung' is to such an extent